Being able to learn to play the guitar is powerful form of self-expression, of showing your personality to friends or unknown crowds, of being able to convey emotions, because music is a universal language.
And just like us humans have the freedom of speech, we must communicate freely through other mediums too like music to utilise and explore every avenue of expression around us! Even people who can’t sing still love to belt out a power ballad in the shower when they’re in a good mood… but a talented singer might take it one step further by adding their own little rolls or extending notes here and there to make the tune sound not better, but more original to them. Much like vocal expression, one can play around with the sounds of a guitar and invent whole pieces of music on the spot if they are in the zone.
So before you start learning the guitar, work on your improvisational skills!
We’ve all heard of the term ‘improv’, often when discussing acting, public speaking, or comedy shows, but it actually addresses itself to a range of different performance methods, with music included. In the musical field, specifically, improvisation is the art of composing and recording at the same time; so inventing music as you go. But not everyone can improvise – it doesn’t mean just to strum away randomly and without purpose – improvisation will still normally come in the form of an unplanned harmony, a melody, a solo, a rhythm, and so on.
Many people say that mastering improvisation is what takes you from being a standard guitar player who can reproduce sounds heard by other musicians to someone who creates music with a natural flair for music.
This is not to say that cover artists have no place in the world of music. Indeed they have a special talent and hold the ability to use a learnt technique to make people respond to their music, but it is probably fair to say that if they don’t have the desire or ability to create their own unique sounds then they are somewhat limited musically.
Think of guitar playing as being like cooking up a recipe in the kitchen. Someone who is only comfortable recreating dishes using a recipe cannot call themselves a talented cook as they are missing the imagination and true understanding of the ingredients. They are in the nicest sense possible, con artists using someone else’s creativity and talent to make themselves look and feel good!
That said, copying is one of the best stepping stones to learning how to do it yourself, and also has the added benefit of helping you to realise your own way of doing something which may or may not be better than the ‘original’ method.
Creator musicians, as they are often called, may still play well-known songs but the difference is that they are capable of tweaking and enhancing them, to create new melodies or harmonies automatically stemming from the original notes. These are musicians that know what they are doing; they can communicate musically or ‘speak’ guitar, as it were.
The website Simplifying Theory indicates that people who can improvise are people who:
“– Understand what is happening and have immediate ideas;
– Find easy to compose, because they have many tools and resources in mind
– Have the ear really accurate
– Can deal with unexpected situations (new songs, changing of repertoire in the last minute, lack of memory (when your mind goes blank), etc.);
– Put their own identity in the songs.”
When you decide to get started on this adventure that is the guitar, you quickly discover that there are some basics to learn, notably in the form of scales, the main major and minor chords, and the positioning of your fingers on the neck.
Improvise solos like Carlos Santana!
Once you master these different aspects, you can start thinking about improvisation.
To better understand how to get rolling with improvisation, you should approach it like learning a language.
After all, aren’t music and the guitar another form of expression?
To improvise is to use all of the techniques you know, along with theory, together, applying them to the guitar.
When you speak, you improvise based on what you already know: you don’t invent grammar or vocabulary, but instead you create sentences in real time, with content and style appropriate to what you want to say.
It’s the same with the guitar: improvising is using existing vocabulary (notes and rhythms) but playing them in a different manner, according to your style.
It’s impossible to improvise if you don’t know the basics and this means learning your scales.
Know the scales: the basis of improvisation.
Unless you have an innate talent or extraordinary feeling, unless you know how to reproduce any sound on the guitar, the scales will be a solid basis and reference point for any improvising that follows.
It’s certainly possible to improvise without being familiar with the scales but you will still be confronted with two serious problems: first, you won’t necessarily get the results you want, and secondly, the sounds you create won’t necessarily function together.
The Main Scales for Improvising on the Guitar
The main scales to learn by heart are the pentatonic scale (a scale of five notes + the so-called tonal note of the upper octave), the major pentatonic scale, the minor pentatonic scale, the major scales, the minor scales, the harmonies, and the melodies.
All of these scales provide the main ingredients to improvisation, but you can already find enough in the pentatonic scales, the major scales, and the natural minor scale.
The harmonic scales and melodies are more for enhancing your playing.
To start out improvising, begin with an easy scale, let’s say the scale of C major: play the notes in the traditional order before beginning to work in a different order, begin by “creating” your own sequence while staying with the same notes of the C major scale.
Little by little, you as a guitarist are going to develop an ear for the guitar and you’ll find yourself choosing the notes: these are the first steps of improvisation.
Improvisation Is Maintaining Freedom
Improvisation is the greatest freedom.
The only thing that’s required is that it sounds good.
Even if it seems as if there are no musical rules in improvisation, certain things function better than others: we’re talking about theoretical tools.
Here’s a video of “blues” (electric guitar) improvisation:
These tools, if you’ll recall, are the chords.
The more you can play chord sequences, the more you’ll develop your technique (left or right hand) and the more you’ll train your ear for music.
By working on and keeping a regular schedule in your practice of the guitar, you will learn the basics, which you will then unlearn as you create your own sequences of chords. Once you know how to play the guitar, improvisation will quickly become one of your favorite hobbies.
It is often by starting with a classic that one stumbles upon a wonderful idea.
When you get started with the guitar, you reproduce the notes that you’ve heard from other guitarists and these notes take on a real sense of quality when they sound perfect, and then when you succeed in being able to identify them.
Before anything else, you’re going to learn these ready-made sentences, segments, bites, riffs, gimmicks, melodies, intros, parts of solos, or even entire solos because these are easier.
Forced to play the same things over and over, you will understand that there are similarities between these musical sentences, and little by little you’ll integrate them into the context into which they make the best sense.
If you get stuck in the process of learning improvisation, a guitar teacher should be able to help get you moving again. If this happens, just a few guitar lessons should be enough to help you overcome your being stuck. The guitar courses will help you regain confidence in your playing.
Learning to Create Your Own Musical Sentences
These initial steps might take some time but are necessary because once you master all of these sentences and notes, you’ll know how to combine frameworks, as well as how to create your own musical sentences and adapt them to your mood at the moment.
The more your musical language is enriched, the more your playing will be fluid and the more you’ll be able to add new elements to your creations.
If you have never played guitar before, you should consider taking guitar lessons for beginners before launching yourself into the marvellous world of guitar improv!
One of the pitfalls of improvisation is going in circles.
In improvisation, you often use the same sentences that you know by heart; you try to use them to their full potential, to change them, transform them, to adapt them, and then these sentences become part of your vocabulary.
You’ve integrated them into your musical language and to your guitar playing.
Again, don’t be afraid to ask experienced guitarists for help: how do you play the guitar more quickly, how do you play one-handed, etc…
On the one hand, it’s an advantage because you can use these musical sentences in any musical context, but it’s also a hindrance because these sentences lose their freshness, their novelty, they become your “new basics.”
You’re going to need to learn new things in order to discover new horizons, in order to feel like you’re reinventing yourself.
Knowing How to Reinvent Yourself
The best way to avoid the pitfalls of improvisation is to reinvent yourself constantly, to always be looking for new techniques to pick up, new sentences to develop, new styles to hit on your strings, to switch between all the techniques that you’ve accumulated.
How do you that?
Whatever happens, in order to improvise, try to the opposite of what you usually do:
Do you play with a pick? Try to play with your fingers.
Do you usually play in the treble range, or beyond the twelfth fret? Try closer to the head, in the first frets, and try to play the deeper range.
Do you usually begin your arpeggios or your chords with the same sequence? Forbid yourself from doing that and force yourself to use another.
You can always for help from your private teacher during your guitar lessons. S/he might even give you advice for playing guitar by ear…
With improvisation, you need to break your habits, which will eventually happen with a lot of work on the instrument, but also on yourself.
Don’t forget that it’s important to reinvent yourself through improvisation and to always find pleasure in incorporating new ideas into your playing.
If you’ve gotten to a decent level on the instrument, barriers beyond that are essentially psychological: give yourself time to create your own melodies, learn to appreciate good instincts, take note of them and advance step by step.
Lastly, improvisation on the guitar, like all musical styles, is sustained by emotion, for yourself and for your listener, don’t be afraid to tell a story.
Tell a story (a musical one)!
The story is often more important than the sound of the chords, that’s why it’s important not to neglect this in your improvisations, the groove, the swing, the feeling, the intensity, the fun, the emotion, etc., and try to create an climax in your playing, often towards the end of your improvising.
If you still want more from yourself, why not follow some of these methods for learning the guitar?
Along with the drums, the guitar is one of the most common instruments in modern day music. The majority of bands these days will have a drumkit on stage, a guitar, a bass guitar and perhaps a keyboard, and we’ve just become so accustomed to seeing the guitar in everyday musical performances that some might be fooled into thinking that anyone can pick one up and play.
While there are many people who play the guitar badly (and good on them for trying and enjoying it!), being good really is a skill and something that needs hard work.
As well as being common, the guitar is also one of the most versatile means of making music in contemporary music. It appears in almost every genre and style of music from the last few decades – from blues and jazz to folk, hip-hop, classical, metal, and pop. What’s funny is that the guitar is so iconic that even people who can’t even play one note love to have one on display, almost like a statement piece that says ‘I like music’ or ‘I’m cool, I own a guitar’ (come on, lots of us are guilty of this!).
But you don’t have to just pretend to love the guitar, you can actually pick it up and play with a little help!
The big UK cities have a wealth of opportunities for listening to live music (really useful for any budding musicians), for taking your very first guitar lesson, or for progressing further as a professional musician. Whatever your age or your preferred musical styles, and whatever you want to get out of your instrument, you’ll find the place to achieve those goals right there in front of you. That is, if you know where to look…
London is a great place to learn anything, boasting world-class facilities in nearly every field, including music. For guitar and other instruments, you’ll find some of the most prestigious educational institutions, live music venues, music shops and professional teachers – for people of any age.
As we know, London also has some of the most well-regarded music schools and conservatoires in the UK and in the world. The Royal Academy of Music and the Guildhall School of Music and Drama are probably the best known and, if you are lucky enough to attend these schools, you can be sure that your musical path will flourish.
Other options, which aren’t as academically prestigious, but which will nonetheless prepare you for a professional career in the music industry, include the Institute of Contemporary Music Performance and Tech Music School. These offer full-time diplomas and degrees in music production, music business, or music tech, as well as in musical instruments. You will probably be studying more contemporary music than classical if that’s what you’d prefer.
It’s worth pointing out that these institutions are not designed for beginners. They are, rather, intended for people who are serious about careers in music.
You don’t have to enrol on a fancy college course or spend an absolute fortune on guitar classes with a professional musician boasting decades of experience to get good. Some of the most famous guitarists around will tell you that they taught themselves how to play the instrument up in their bedroom!
However, to get ahead that bit quicker, there are many accomplished individuals seeking to pass on their skill on the string instrument via Superprof.
Some may be trained in teaching music theory whilst others may be ex-musicians. Another option you may come across on the website, one that’ll possibly be easier on your wallet, is the opportunity to work with conservatory or university music students. These younger, less seasoned teachers may be better placed to teach you the basics in a more logical way, having not so long been a beginner themselves. Also, if you’re young yourself, you may find this a more fun way to learn.
Always available for your learning needs, Superprof features guitar tutors with varying levels of experience and offering different rates.
With this platform, you can either choose a tutor based in your area, one who either has a studio or will come to your home. Another option would be online classes via video link, which could save you money in the long run – no travelling time to and from lessons, and your tutor might give you a discounted rate because s/he won’t have to travel, either!
You might also be interested in knowing that most Superprof tutors give their first hour of lessons at no charge, just to see if you two would learn well together. With such an offer, how could anyone not choose that option?
Learning the guitar over Internet connection is also great for those who have busy lives and need to schedule in lessons with minimal disruption to their routine like having to travel to a studio or tidy up in preparation for a visit from a tutor. And it’s not as hard as you think, it’s really no harder to looking in a guidebook for inspiration. In fact, it’s easier because the person on the other end of the connection can give you instant feedback!