I use a personal approach to the Triangular Proposal (taught by Ana Mae Barbosa), based on three axes: contextualize (look), ground (understand) and do (practice). The order to apply each axis is flexible, so for each subject or situation, the class is adapted to improve learning. I use books and art magazines, the internet, specially prepared archives, my works, and examples by hand to teach techniques, perception, and materials.
Graduate in fine arts at an internationally recognized Brazilian university, I participated in individual and collective exhibitions and worked as a Graphic Design and Fine Arts teacher for eighteen years in a very important art school and as a Visual Communications Coordinator in a Museum of São Paulo, where I lived until the half of this year.
Bachelor’s degree in Visual Arts and Art Education.
Universidade de São Paulo - Escola de Comunicações e Artes.
São Paulo, Brazil, 1987-1991
Free-lance Graphic designer, and llustrator, for:
Editora Abril; Editora Landy; Secretaria de Estado da
Cultura - SP; Museu de Arqueologia e Etnologia (MAE/USP); Centro de Divulgação Cultural e Científica (CDCC/USP); SESC (Commerce Social Service) São Paulo; Instituto de Biociências da Universidade de São Paulo (USP); Fundação Maria Luisa e Oscar Americano, Século Integrated Communication; etc.
From 1989 to date
Drawing teacher - Galeria Myllery and private Course “Drawing: Perception and Technique”. August 2016 to June 2019
Professor - Panamericana Escola de Arte e Design (EPA) Visual arts: Fundamentals, Visual Perception, Line Representation and Perspective, Color, Composition, Still Life, Landscape, Human Figure and Portrait.
Visual Communication: Brand, Typography, Image Design, Color Psychology, Editorial, and Advertising Design, as well as graphic software (Adobe Creative Suite).
Graphic Design: Visual Identity and Branding, Signage, Packaging Design, Promotional Design, Poster Design, Editorial Design, Portfolio Design and Professional Practice. Short Course: Editorial Design.
March 2001 to December 2018
Consultant and technical reviewer - Editora Bookman Evaluation of art book titles and design, technical reviews to Brazilian editions in the publisher’s graphic design segment. Technical reviews: “No More Rules” by Rick Poynor; “Design Writing Research” by Ellen Lupton and Abbott Miller; The second editions of “Layout” and “Fundamentals of Creative Design” by Gavin Ambrose and Paul Harris.
April 2010 to December 2012
Bookseller - Livraria Cultura
Villa Lobos Shopping Center Bookstore Arts Sector April 2000 to July 2000
Visual Communication Coordinator - Museu da Imagem e do Som (MIS SP)
Coordination of the area of graphic arts and assembly of exhibitions, including visual programmer functions, exhibition designer, management and follow-up
of graphic production, creation and curation of permanent design projects and collections of graphic arts (Editoria Alternativa, Cards, Design, and the newspaper, etc).
July 1995 to January 1998.
College professor - Faculdades Integradas de Guarulhos (FIG) Introduction to graphic design, industrial techniques, graphic production, graphic design, and DTP macintosh, creation, and production processes.
September 1995 to April 1997
Cultural Assistant - Museu da Imagem e do Som (MIS SP). Graphic design and exhibition design functions.
December 1990 to April 1995.
October 1989 to November 1990 as a trainee.
Exhibitions: Visual Arts / Graphic Design
LEONARDO REDUX: La Morte Degli Altri - 2019. Myllery Gallery organization.
Drawing series for Da Vinci’s 500 years of death. São Paulo - SP. Dom Quixote - 2005
Painting and drawing. Collective at the Panamericana School of Art and Design. Sao Paulo - SP.
O Mytho e Nada - 2000 (The Myth and Nothing)
Drawings and paintings. Individual. Gallery of the Municipal Library Alceu de Amoroso Lima. São Paulo - SP.
Mostra Documento - 1996
Graphic design and engraving. Teachers of the Faculdades Integradas de Guarulhos - SP.
II Bienal da Associação dos Designers Gráficos (ADG) - 1994 Museu da Imagem e do Som (guest design team). São Paulo - SP. Sábado só sábado (“Saturday only Saturday”)- 1991
Paintings, engravings, and drawings. Collectives in studios of the participants, ECA-USP students and guests. São Paulo - SP. Gravuras (“Prints”)- 1991
Engraving. Collective of ECA-USP students. Centro Cultural do Butantã. São Paulo - SP.
ECA - 25 YEARS - 1990
Engraving. Collective. Curators: Evandro Jardim and João Musa. Cultural Space of the Sé Subway Station. São Paulo - SP.
A imagem do MIS (“The Image of MIS”)- 1990
Graphic design. Collective. Museum of Image and Sound. São Paulo - SP.
Simplesmente Comum (“Simply Common”) - 1986
Individual. Paintings and drawings. Oficina Cultural Grande Otelo. Sorocaba - SP.
Qualquer Possível Coisa (“Any Possible Thing”) - 1986 Individual. Paintings and drawings. YMCA Gallery. Sorocaba - SP.
Na Virada do Século
The poetry of Invention in Brazil, an anthology of contemporary Brazilian poetry. Organization of Frederico Barbosa and Claudio Daniel, Landy Publishing House, São Paulo. June 2002.
Revista Cult (Cult Magazine)
Series of unpublished poems under the title “Guia dos Suiciídios” in issue no 33, pp. 37-39, Lemos Editorial. April 2000. O Sonhonauta
Poetry. Co-edited with Editora Scortecci, São Paulo. August 1986.
Almanaque Abril 1999/2000
Consulting and listings of the Chronologies of History of General Art and in Brazil. Editora Abril.
Projeto Arte na Escola
Instructional material texts about Juca Martins and Lygia Pape.1995.
Perfect! Amazing Teacher! Very knowledgeable but able to communicate for you to understand! HIGHLY recommend!
Excellent student. He learns very fast and is extremely attentive and perceptive.
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