Craig - Singing tutor - Winston-Salem
1st lesson free
Craig - Singing tutor - Winston-Salem

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Craig

  • Rate $71
  • Response 1h
  • Students

    Number of students Craig has accompanied since arriving at Superprof

    50+

    Number of students Craig has accompanied since arriving at Superprof

Craig - Singing tutor - Winston-Salem
  • 5 (15 reviews)

$71/h

1st lesson free

Contact

1st lesson free

1st lesson free

  • Singing

Experienced tutor in Singing in Winston-Salem, Craig offers private lessons tailored to your needs.

  • Singing

Lesson location

Recommended

Craig is a respected tutor in our community. They are highly recommended for their commitment and the quality of their lessons. An excellent choice to progress with confidence.

About Craig

I am passionate about helping others learn how to sing in a free, healthy, expressive manner so that they may meet their vocal and musical goals, be able to sing any style of music, sing beautifully, bless others, be totally self expressed, and/or have fun.

With almost 50 years experience as a professional singer and voice teacher, I can help you be the best singer that you want to be. I have had great success in teaching students as young as 11 and as old as their 80s. My students have performed a wide range of repertoire from classical, musical theater, contemporary Christian, folk, bluegrass, and Country and Western. I have been a member of the National Association of Teachers of Singing and the New York Singing Teachers Association.

Everyone should be able to sing well and enjoy singing. I love helping others to "find their voice" and discover the joys of singing well. It makes me happy to see them get excited as they learn and improve. I hear a lot of people struggling to sing well, and as a result, they have less confidence and don't enjoy singing as much as they could. Singing is a wholistic exercise involving body, mind and spirit. There is much about singing that is not intuitive and should be different than how we use our speaking voices, so singers need to be trained carefully so that they can perform their best and sing in a healthy fashion for their whole lives if they so desire.

Breathing for singing is different than breathing to stay alive. It is the most important aspect of healthy and good singing, and most teachers don't understand and/or teach it well, so their students never really learn to sing as well as they can. I focus on helping students understand this breath process and how it affects their singing so that they can always be in control, sing well, and sing confidently. I do this by focusing on proper breathing and breath support, placement, and technique, which are the keys to singing well, in a healthy manner, and which once mastered, enable the singer to focus on making music and communicating the message of the song, and not having to worry about upcoming high notes or vocal inconsistency. It enables one to sing well evern through allergies or when one has a cold. This works in any genre or style of music.

I have performed leading roles in opera, oratorio, concert, recital and musical theater in New York City, New Jersey, Pennsylvania, Connecticut, North and South Carolina, and Georgia. I have soloed in many churches and sung for many weddings and funerals.

Please, if you're interested in studying with me, ONLY select me, and then if it doesn't work out, move on to the next teacher. I have a busy schedule, and it is often hours before I can respond, which puts me at a disadvantage. The first teacher to respond is not necessarily the best teacher for you.

Quite often, prospective students select four or five teachers and the odds of a teacher getting that student drop significantly, especially if some or the others respond before you. As a result, I could easily wind up paying hundreds of dollars a week in referral fees, but have no interest in doing that. This is my livelihood, and I won't waste money needlessly. If you select another teacher or teachers in addition to me, please understand that I will not respond.

My first voice "students" were my high school choral classes I taught right after graduating from college in my first job as an adult. Then my next students were my adult and children's choirs at the churches where I was Music Director. Those were more group lessons. Then I started branching out and teaching individual lessons to church choir members, and finally others in the community.

I have two music degrees where I emphasized vocal performance and pedagogy, and I studied voice professionally for over 25 years, including 16 years in New York City, where I studied and coached with some of the top voice teachers, and coaches from the Metropolitan Opera and New York City Opera.  I have also attended numerous professional vocal workshops/seminars and participated in numerous Master Classes. 

I was a participant in the Aspen Summer Music Festival and an apprentice with Des Moines Metro Opera.  I sang in the Dallas Opera Chorus, and performed leading roles in opera in New York City and New Jersey for 16 years.

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About the lesson

  • Beginner
  • Intermediate
  • Advanced
  • +2
  • levels :

    Beginner

    Intermediate

    Advanced

    Proficient

    Children

  • English

All languages in which the lesson is available :

English

I ask what their goals are, i.e., what they want to learn, why they want to study singing, what they want to sing, and how they think they learn best. 

At their first lesson I hear them sing something that they know well, and begin assessing what I think their vocal needs are. 

How I proceed depends upon their interest, experience (whether they have had previous vocal or musical study, and or performance), and what I think their needs are.  Generally, I explain the types of things we will be doing in lessons, begin laying the foundation for what we will be working on in their study.  I explain the need for them to practice at home, the need, if possible, to record their lessons and listen to them during the week, and begin helping them to feel/hear what happens when they sing.  I explain that vocal study is a partnership.  I can help guide them, but they have to be full partners, thinking, exploring, experimenting, questioning, listening differently, seeking to feel what happens in their bodies as they sing.

Unless we are athletes or do cardio exercise regularly, most of us breathe in a very shallow manner. Singing requires taking in and using a lot more air than we normally do, so there is a need to learn to breathe in a slightly different maner. Therefore, initially, a lot of time is spent on that, since it is a basic foundation upon which one's singing voice is built, and breathing/breath support needs to become habitual, so that one is free to focus on other aspects of singing, music making, and communication of the message of the song when singing.  I make use of simple vocalises and songs to help them free their voice, and work on breathing/breath support. 

With more experienced or developed singers, we are able to begin with more advanced vocal concepts such as placement, phrasing, working on releasing any tenseness/tension in the lips, tongue, jaw, throat and abdomen, and are able to use more advanced vocalises and repertoire.



I have had voice students ranging from 11 to 83 in age. I have worked with both men and women and all basic voice types. Some had some experience with voice lessons, but most did not. Some could read music, and some could not. Some planned to major in music in college, some just loved to sing and wanted to sing better for themselves or the choir in which they sang, some had run into vocal problems and needed help, some had an upcoming performances or an audition and wanted me to help them prepare.

I would tell them to look for a teacher who has lots of experience, who is classically trained, and who is a classical singer because generally, they have a better understanding of how to sing in a healthy manner, and classical vocal technique can work well in any musical genre or style. I would tell them to not be afraid to ask questions about the teacher's teaching style and methods, and what is his/her experience level. I would tell them to keep an open mind, as there are a lot of things about singing that aren't intuitive and will be very different than they expected that they would be, and to keep an open mind about repertoire the teacher might suggest to aid in their learning and development. I would tell them that when they begin lessons if something their new teacher asked them to do in a lesson hurt, to immediately inform the teacher. I would tell them that it takes time for the teacher to get to know the student and the student to fully understand what the teacher is asking them to do and being able to do it. I'd tell them to be patient with themselves and the teacher, that it can take time to make changes in how one thinks about singing and how one sings. I'd tell them that if they leave a lesson hoarse more than once, to find a new teacher. I would advise them that if they aren't willing to practice at least 2-3 times a week that they can expect their progress to be very slow, and to expect that they'll wind up spending a lot more money and time learning to sing. Learning to sing or to play any instrument means that one has to put in the time and work to learn and improve. It's a joint effort of the teacher and student. If one only thinks about how one is producing one's voice once a week and only tries to do the things the teacher asks at the lesson, then progress will be painfully slow. I would also try to help them understand that most often, changing how one sings takes time and a lot of practice. After 3 months of lessons and practicing, one should begin seeing substantive progress in terms of tone quality, pitch/intonation, breath control, and vocal range, but depending upon what vocal issues they have, what their goals are, and the abilities of the teacher, it can take a solid year or more to really learn how to sing well.

I had potential student contact me about lessons. He told me that he had been singing since he was a child, and that both of his parents sang. He had been performing with a band for many years and singing well, but year ago he had a bad cold and that something had changed in his singing, and he couldn't get his voice back on track. We made arrangements for him to come for a lesson rather than doing it remotely. He came from a city two hours away and we spent two hours working and talking. I was able to point out the things that he was doing that were causing him problems, freed his voice, and got him back on track in that one two-hour lesson.

A few things worth thinking about before reaching out
They should have some idea of what their strengths and weaknesses are, and what they want to learn or gain from studying voice. They should think through their commitment to practicing and working at getting better. Teachers can't just pour the knowledge into student's heads once a week. A student-teacher relationship is a partnership. The teacher can only help and guide the student. The student has to spend time practicing and thinking about what it feels like when they're singing, how they're producing their voice, why they have trouble with certain aspects of singing. They should also ask themselves if they're willing to trust the teacher and do what he or she says in terms of singing and practicing.

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Rates

Rate

  • $71

Pack rates

  • 5 h: $355
  • 10 h: $710

free lessons

This first lesson offered with Craig will allow you to get to know each other and clearly specify your needs for your next lessons.

  • 1hrs

online

  • $71/h

Details

Yes, my pricing for lessons is as follows.

30 minute lesson - $30;

45 minute lesson - $40;

60 minute lesson - $50

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