I prefer to work in one on one or in small groups. As handbalancing can be unique to individual. My acrobatic career especially handbalancing started in my late teens and into my 20s. Some would say it is a disadvantage but in my eyes, I bring insight to what boundaries and learning curves an older individual encounters.
I help people to enhance their body awareness through conscious movements. To create connections and bring everyone on their handstand. I teach them the beauty of the journey, the humility of feeling and observing, the magic of feeling grounded and upside down. Handstand as a life style, not only a physical work.
My teaching method is based on my own path of formation. Throughout my life in dance and stage art, I have learned to distinguish what a student needs to be properly trained, depending on their needs, qualities and desires on stage.
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